Tagged: post-production

Portraits: Amy

Amy was after a headshot for acting jobs and I was delighted to have the opportunity take her photo: her expressive features and personality were a great draw.

In the event, the photo session was fun, with us trying a variety of poses and set-ups in the soft light of the garden near her flat. Several choices were made from the completed image, but I always liked the cheekiness of her smile in this one.

Amy in Greenwich

The big difference with this portrait was the post production edit. Normally I just balance the levels in Adobe’s Lightroom Classic, but in this case I used Photoshop, to layer and retouch Amy’s hair and skin. It was a fascinatingly involved process and I felt it really enhanced, rather than distorted, the image.

Often I have used just a few tools in Photoshop and wondered how things would go if I made more extreme alterations with skin tone, clothing or backgrounds, but I feel that I would need to design the image in my head before shooting and post production. I hope to experiment more with this in future.

A deep dive

Over the past few years, I’ve learned to use Adobe’s Photoshop and Lightroom Classic to edit my images. My use has been rudimentary, but has served me well so far, but I wanted to take a deeper dive into these programmes, especially Photoshop, so I’m following some tutorials.

The photographers I really admire have all encouraged photographers to learn about lighting and post-production: I start into the former when I finally acquire my first lighting set up; as to the latter, I need to be using post-production more effectively.

Up until now, I’ve used Photoshop for tweaks such as exposure, white balancing and little else. I have done the odd experiment, normally following a tutorial from Amateur Photographer magazine to the letter, but little on my own. All the while, I have looked at other photographers use post production to manipulate their work into art as well as representation. I’d like to try this.

Twin-focus combination
Solarization
Cross-processing

The tutorials I’m following are a deep dive into post-production. At the moment, I pay for Adobe’s photographer package; this may change in future as I learn more.

Some tutorials have touched upon making a “vintage look” on new photos. I have family photos from decades back that are vintage: they were taken to the best of their photographers ability to represent the event depicted. I feel the same way about the photographs I take now, but I am inclined to use post-production more effectively for interpretation as well as representation.

I dare say that I was reluctant to try any new techniques as I was trying to get my images as “in camera” pure as possible. But I realised that I made choices on how I photographed something on film and once in the dark room, I definitely made choices on how to print it. What I’m doing now is simply the digital version.

I’m three tutorials in so far. Whether I use all I’ve learned is yet to be seen, but it would be a dreadful waste of this resource if I didn’t have some idea of how to use it more fully.

Experimenting

Finally, after collecting articles from photography magazines and websites, I’ve been working through various tips and hints to advance my photography, both in image capture and post-production.

I haven’t quite mastered the Breziner method, but I’ve made some architectural collages that I like:

Seville
City of London

Twin focus combinations have been fun:

Woolwich
Plumstead

Solarizing has been great fun:

Most recently, I’ve been experimenting with long exposures:

Danson House
Canary Wharf

The aim is to apply every technique that interests me in my usual photography. Hopefully I’ll be discovering new types of images in this process.